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Miguel Llobet Solés (18 October – 22 February ) was a classical guitarist, born in . Plany (Lament); La filla del marxant (The Merchant’s Daughter); El testament d’Amèlia (Amèlia’s Will); Cançó del lladre (Song of the Thief) Miguel Llobet: El Testament d’Amelia, La Filla del Marxant, Plany, El Mestre.

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He returned again to the Americas in to perform for the Spanish Arts Festival, under the auspices of the Library of Congress.

Hermann Hauser Official Website: Llobet seems to have lladr a somewhat reclusive retirement from the concert stage, Rey de la Torre who, as Llobet’s pupil, may well have been his most frequent visitor, writes that “Llobet did not have many visitors By using this site, you agree to the Terms of Use and Privacy Policy. Antonio de Torres,Llobet’s favorite guitar; he refused to have a rel in the back repaired for fear that it would affect the exquisite tone.

Crescendo 24 Septemberp.

Guitar Worksvol. Chanterelle, now under the ownership of Musicverlag Zimmermann, is in the process of publishing new Urtext editions of the complete catalog under the editorship of Stefano Grondona.

Canço del Lladre

Chanterelle VerlagOdeon-ParlophoneDecca. Charles Scribner’s Sons, At the age of 22, Segovia was still youthful enough to have received valuable instruction.


Classical Guitar 17, no. He does not appear to have performed much at this time, but maintained his artistic contacts.

Among the guitars used by Llobet, one finds: Two years later he began to study with him at the Municipal Conservatory of Music in Barcelona. Guitarra Havana 2, no.

Cançó del lladre (Llobet, Miguel)

Part 5 — Pujol’s Article in Lavignac’s Encyclopedia”, in: During the three years that I spent there he left town only llpbet for a month’s tour of Scandinavia. Bythe two were performing duets and, according to Purcell, about recorded some of Llobet’s duet arrangements on the Odeon-Parlophone label distributed by Decca.

Segovia’s autobiography, written at the height of his career, depicts himself as being self-taught – there cancp admissions of his seeking out Llobet’s advice for a short time, but Segovia is quite clear about the lack of any real influence on his playing. The statement by Philip J. Il Fronimono. When in Vienna, Llobet was frequently a guest in the house of Luise Walker’s parents.

Miguel Llobet – Wikipedia

Later he received a guitar as a gift from an uncle. In the biographical sketch given by Bruno Tonazzi, [6] Llobet returned to Paris in but according to Purcell he probably temporarily relocated to Buenos Aires in that year. This page was last edited on 18 Novemberat This list is incomplete ; you can help by expanding it. From Wikipedia, the free llobeh. Llobet was a renowned virtuoso who toured Europe and America extensively.


The Llobet Archive Rediscovered”, in: Artes Graf, Soler, On hearing him in Berlin Paul Hindemith declared an intent to compose for the guitar, but did not follow this through – Hindemith’s only work for guitar, the Rondo for Three Guitarshad been written in Bone in The Guitar and Mandolin canxo Llobet “was killed inin an air raid in Barcelona during the Spanish Civil War ” Bone has been tacitly contradicted by all reliable sources.

He then returned to Paris. According to Ronald Purcell, [5] he resided there until Guitar News27 October—Novemberp.

Biographies of Celebrated Players and Composers London: Chanterelle Verlag He began giving private concerts for intimate gatherings in It was at this time that he first came into contact with the avant garde. Emilio Pujol was a frequent guest and Manuel de Falla is known to have visited whenever in that city. Mangado Artigas, Josep Maria: Vida y obra de Manuel de Falla Buenos Aires: The Guitar and Mandolin.